Chris Johns made some of the the most recognizable pictures of our time. He’s the only field photographer to rise through the ranks of National Geographic to become Editor-In-Chief, heading the world’s most iconic magazine during a period of industry disruption, digital transformation and ecological crises. After spending a career as a journalist walking the tightrope between worry and wonder, he’s now being shadowed by a visual artist with her own distinct ethos. His daughter Louise Johns, who picked up a camera as a child during her father’s last field assignment, is shaping her own photography vision one image at a time.