Riot grrrl band VULVEETA didn’t break up on the best of terms. In fact, lead singer Grrrilda Beausoleil disappeared 20 years ago, just as they were about to ”go big.” Now, she has to convince the band she’s ready to rock and overcome the band’s demons. They’ll need to figure out how to integrate Gordon, who’s transitioned since the band’s heyday. Meanwhile, their formerly two-year-old drummer, Killer Child, is eager to chart a new course in her 20s. Most importantly, how will the band be able to draw a crowd in the digital age, in a time far removed from the 1990s marketing methods of wheat paste and stickers?

Justin McLaughlin, a disenchanted Army vet working a menial job and avoiding his past, is forced to emerge from isolation when his younger brother is recruited by an extremist militia. Working with a private investigator named Frankie, Justin will have to decide how much of his past in the Army he’s willing to bring back to the surface to extract his brother from the clutches of the paramilitary conman Billy.

Living alone in a house on the edge of Puget Sound, Ian grapples with long-held grief and shame over the loss of Liv, a woman he loved dearly who died nearly two decades ago. As he moves though the world he’s created with visions and fantasies of their life together, he’s pulled further and further away from the present. Liv’s sister Beth, a woman with ghosts of her own, is the first to see how far Ian has slipped away from reality. Their chance run-in begins a spiral which ultimately forces Ian to choose… lose himself completely or turn towards healing.

Nothing is quite as special as a child”s relationship with their babysitter, and nine-year-old, gender-queer Johnny is obsessed with theirs – so much so that they”ve meditated their spirit right into her body! Part ”Freaky Friday” and part ”Being John Malkovitch,” HOMEBODY is a charming, crowd-pleasing, cringe comedy for the gender-fluid era.